{far and away}

































I've mentioned before that I love the eclectic, well-travelled look that develops over time with new journeys and adventures and growing collections of souvenirs and artifacts from far-off places. It's a look that brings out one's personality in the form of things collected, and has been labelled globe-trotting chic. {I always find it somewhat humorous when things that are a given officially become a style.}

By far my favourite incorporation of this design aesthetic are these 1920's Japanese silk panels, found in Paris' Clignancourt markets, in this Parisian apartment (above).











The style has also made its way into public spaces, including Ivanka Trump's Madison Avenue boutique (above, from an earlier post), and David Collins' fantastic "Victoriana meets the Far East" work at The Artesian Bar at the The Langham Hotel in London (below).

















































Global chic was also a recurring theme on the runways, as seen here in Jean Paul Gaultier's spicy Spring styles.

{images style.com}
























































Another favourite is this traditional Indian Mango wood dresser (above), overlaid with hand-carved metal foil, reminiscent of the inlaid chest of drawers from an earlier post.



{las alamandas}














































{images: top - living etc.; all other images from marie claire maison}

Posted in , , , at Saturday, 8 December 2007. No Comments

{history of tartan & plaid}

Couldn't very well return from a beautiful trip to Scotland without writing about tartan and plaid . . .


Tartan is associated the world over with the kilt, the national dress of Scotland, and the history of both goes hand in hand.

Tartan is a material that can be woven from many colours and was originally a sort of uniform for distinguishing the many clans in the Highlands and islands of Scotland and can be traced as far back as the middle of the 5th Century to Ireland, where the Scots originated.

The very first form of tartan is nothing like its modern day counterpart, being a type of shirt that ended just above the knee, known as léine in Irish Gaelic. It is generally accepted that it was made of linen, and although the earliest references to this garment describe it as light-coloured, it may have been of a darker yellow shade which led to the English describing it as a saffron shirt.


In later times, coloured stripes were incorporated into the léine to indicate the rank of the wearer--the first attempts at what is now known as tartan. For instance, a High King wore seven stripes, one of these being purple, the colour of royalty.

With the new abundance of a growing number of sheep herds in the land, the plaid grew from being little better than a rug to a long piece of material between 12 and 15 feet in length, which the Highlanders would pleat round their waists in folds and pull over their heads like a hood and use as a blanket at night.


By 1730 the patterns had evolved from simple stripes and patterns into what today would be called tartan, from the French word tartaine.

After the defeat of the Jacobites at Culloden, the English Army routed the Highlands, destroying the Highlanders' way of life, banning clan tartans and destroying cloth-making equipment, including sett-sticks. Yet even at their lowest ebb, the Highlanders rebelled, wearing trousers of their tartan, subtly woven.

Football (soccer) teams, even countries have commissioned their own tartan, emphasising the importance and emotion that the people of Scotland attach to tartan and the sense of kinship that has been an integral part of Scottish culture.

{images: 1+2: Holt's Women's Fall 2007; rest: Dolche & Gabbana Fall 2008 RTW via Style.com; bottom, Burrberry; copy: special thanks to the BBC}

Posted in , , , , , , , , at Wednesday, 29 August 2007. No Comments

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