. . . with thoughts still lingering on the sandy shores of bora bora, it is no surprise that, on this late-winter day, drawn to the sea-inspired creations of jeweller, sarah brown, whose irregular and beautiful compositions, woven together of island legends and tales of creatures beneath the sea, come together in collections of enchanting, evocative pieces drenched in a sense of curiosity and the unknown . . .
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{at the shops : sarah brown jewellery | jewellery inspired by scotland}
{favourite five: jewelry designer suzie gallehugh}
In ancient history, glittering gemstones were thought to have enchanting powers to heal. Although gems were rare, they were precious because of the powers they were believed to have imparted to those who wore them, and kings and queens had gems set into their crowns in order to obtain their potency.
The mystifying qualities of gemstones do not only lie in their healing powers, but also in the ravishing beauty they exhibit. Opening a gift box to find glimmering jewels can sweep one away into a dream world befitting a monarch and make one feel like royalty in just an instant.
Suzanna Dai, the jewelry line of Suzie Gallehugh, takes the elegant and timeless jewels once reserved for queens and princesses and transforms them by adding a modern flair. With intricate embellishments and regal antique touches, Suzanna Dai jewelry takes a ride through history -- the glittering emeralds in the Jaipur Collar necklace may evoke an empress looking out her window at the Taj Mahal in the 1600s; the smoky topaz and shining black diamonds in the Windsor collection may sweep one away to a state dinner at Buckingham Palace; and the bold and breathtaking marriage of turquoise blues and greens in the Amalfi cuff draws from mosaics in ancient ruins in its namesake coast off Italy. It is clear, Suzie Gallehugh’s greatest influence in creating her pieces comes from the magnificent beauty of the world and its cultures.
Her sparkling collections, that have adorned the likes of model Elizabeth Hurley and is a favourite in the wardrobe department on the set of Gossip Girl {above}, can be found in luxury department stores like Henri Bendel on Fifth Avenue in New York City.
As Suzie continues to jet-set the world over searching for the most exquisite gems, we were delighted to catch up with her and find out:
{top five 5 favorite gems:}
1. green tourmaline
Green is my favorite color, and this particular stone comes in a shade of olive/apple green that I really love. My parents bought me a green tourmaline as a college graduation gift, and it is my favorite ring. I could just stare at the myriad shades of green in it forever.
2. freshwater pearls
In a way, I like these better than real pearls because of their imperfect shape, and they come in a variety of soft iridescent colors that can light up anyone's face. I have a strand in a shade of greyish lilac that is a great neutral and coordinates with most anything.
3. labradorite
I love this gem because of its opalescent glow. At first glance, it looks like a boring grey stone, but when you catch it in the light, it suddenly starts to glow in shades of indigo, turquoise, green, and yellow. I like it because it's so unexpected. I use labradorite beads in my Kathmandu collection.
4. pyrite
Pyrite is also known as Fool's Gold, but it's so sparkly and rich, that I don't care! It looks really cool when it's just a rough rock - it has a dull gunmetal glitter about it. It's really amazing when it's polished, though. It sparkles like hematite, but has a warmer, slightly yellow cast to it. I'd like to have a pyrite ring.
5. alexandrite
This is a really cool stone, which also happens to be my birthstone. Like the other stones on my list, Alexandrite isn't what it seems to be at first. In natural sunlight, it has a purplish-indigo glow, but under other types of lighting, it transforms into a purplish-pink. Sometimes it even glows greenish-purple. It's a very rare stone, and is therefore quite expensive. One day I'd like to add one to my collection.
p r e v i o u s f a v o u r i t e f i v e s :
* artist: michelle armas
* jewelry designers: megan & moira flynn
* actress & writer: shiva rose
* jeweler: camille eddera
* artist: kimia kline
* actress & fashion muse: chloë sevigny
* floral stylist, part 1: denise porcaro
* floral stylist, part 2: denise porcaro
* fashion photographer & illustrator: garance doré
* interior designer & architect: nina freudenberger
* entrepreneurs: rent the runway
* designer: rachel ashwell
* interior designer: tricia foley
* photographer: romina shama
* food editor & author: donna hay
~ laily
{favourite five: the jewelry designers at m.flynn}
Jewelry is made by creating bonds: melding precious metal and stringing luxurious pearls, jewels and gems, melting pieces of glittering gold; but the most important bonds are not made with jewelry, but through it -- the bonds between people that a piece of jewelry can create are eternal.
M.Flynn creates the kind of jewelry that memories are made of, whether the bracelet that glistens in the summer moonlight on a stroll after a first date, the sparkling crystal earrings that glitter in photographs from a best friend’s wedding, the necklace that marks a first anniversary, or the the ring that is passed down to a granddaughter.
Elizabeth Taylor, who owned one of the most admired jewelry collections in history, once said, “My pieces of jewelry are my most cherished stories about a lifetime of fun and love and laughter.” Memories can be made of the details--after all, it is all in the details . . .
The savvy duo that makes up M.Flynn is comprised of Megan and Moira Flynn, two sisters with a passion for jewelry who got their starts studying business and marketing. Turning their passion into a business, Megan and Moira recently opened a boutique {second from top} in Boston's South End neighborhood to showcase their enchanting designs.
From their chandelier tiered drop necklaces to their antique Swarovski flower earrings, each charming and elegant piece is made with the utmost attention to detail. Their special occasion accessories line, faire la fête, (French for "to party") features the perfect accessories for weddings, galas, balls and soirées.
Along with their own designs, Megan and Moria re-create timeless pieces from their grandmother's expansive costume collection and also re-work antique heirloom jewelry.
This week, in a special two-part Favourite Five feature, Moria and Megan each share with us:
{the top five ways a background in business can contribute to artistic endeavors:}
For Moria, the top five ways working in banking & attending business school has influenced the jewelry-making process and the creation of their business:
1. I worked at the bank during the Argentine economic crisis -- it was an extreme circumstance, but it made me realize that things can change quickly and that being flexible is important. With business we realize that we may need to change or adjust our model every once in a while.
2. Sloan [business school] taught me how to analyze a balance sheet and income statement.
3. Our style is timeless and easy-to-wear. Business school taught me that you don't need to chase trends in order to be relevant. We stay true to our customers and set ourselves apart with high quality and customer service.
4. Our operational budget is always a work in progress -- we are small but we know it is important to keep overhead and production low.
5. Argentina is known for their classic, sophisticated style, which has always influenced our design.
For Megan, the top five ways working in marketing & receiving an Master of Science degree have influenced the jewelry-making process and the creation of their business:
1. We realize that we can be creative, but school taught me that we ultimately need to make things with our customer top-of-mind.
2. Writing was a focus of my program at Medill and is the most-valuable skill a person can have . . . well, Math is important too. Every day we need to write our customers and potential customers in an effective, concise way.
3. Communication is changing so quickly, but I think I have learned that picking up the phone or talking face-to-face is incredibly important and will never be replaced by email, Facebook or Twitter. My first job in PR made me pick up a phone and forced me to sell my clients to editors who didn't want to hear from me. When you own a business you need to put yourself on the line every day. I force my employees to use the phone -- they don't like it but I feel it's important to be direct.
4. Measure, measure, measure. Every piece of communication should be measured. We are still working on this, but today's direct marketing programs make it easy to track your effectiveness. Even a small business can evaluate an email campaign.
5. Success in fashion is about skill, a good marketing plan and doing the math to see if you can afford it all.
p r e v i o u s f a v o u r i t e f i v e s :
* actress & writer: shiva rose
* jeweler: camille eddera
* artist: kimia kline
* actress & fashion muse: chloë sevigny
* floral stylist, part 1: denise porcaro
* floral stylist, part 2: denise porcaro
* fashion photographer & illustrator: garance doré
* interior designer & architect: nina freudenberger
* entrepreneurs: rent the runway
* designer: rachel ashwell
* interior designer: tricia foley
* photographer: romina shama
* food editor & author: donna hay
~ laily
{all images created by this is glamorous from M.Flynn}
{at the shops: nallik by jean balke, new york}
. . . always adore a perfect juxtaposition -- vintage & modern, old & new, simple & ornate -- and what could be better than rough-hewn, natural elements paired with delicate chains and glamorous gold?
nallik, a word borrowed from the inuit language, cannot be translated directly, but means protection and nurturing in a loving way; according to designer jean balke, the "Inuit people appreciate that we are all connected to each other and our surroundings. They respect the environment and know it contains everything we need to live."
balke, who grew up in germany, lived in helsinki, london and san diego, currently resides in nyc; before she began designing jewelry, she worked as a photographer and art director, and has travelled to over 45 countries, drawing inspiration from the people and landscapes she has experienced along the way; the result is this utterly perfect mix of rock & refined . . .
{p.s.} previous at the shops:
* florence & florence, uk
* lady grey, new york
* ralph lauren, paris
* neology by mina, brooklyn
* mrs. press, australia
{all images from nallik}
{favourite five: camille eddera}
There are very few things in a woman’s wardrobe that withstand the test of time, trends and life’s changes. It is for this very reason that Los Angeles-based French designer, Camille Eddera, set out to create elegantly refined, timeless pieces that become treasured family heirlooms. "Eddera", which means “ivy” in Corsican, is the inspiration behind many of Camille’s pieces.
Camille, a former model, attended both the French National Institute of Gemology and the esteemed Ecole Du Louvre in Paris, where she was selected as one of fifteen students to have the unique privilege to study under Adalbert Smoliar, the head jeweler for Van Cleef & Arpels. To this day, Camille recalls Smoliar's sage advice and still does everything the way she learned in Paris, before graduating as a bijoutier-joaillier and gemologist. While in Paris, Camille also worked for two of the world’s most prestigious names in jewelry: Boucheron and Chopard.
Each beautifully handmade piece Camille creates integrates classic details found in Parisian flea markets with elements of graceful modernity, incorporating the most stunning arrays of 18k gold vermeil, white topaz, aquamarine, tourmaline, green onyx, sparkling topaz and turquoise. Camille's pieces are adored by a loyal following, including stylist Rachel Zoe, Marion Cotillard, Victoria Beckham, and Sarah Jessica Parker.
Camille officially launched her own line of jewelry, Eddera, in January of 2008, and the rest is history . . .
This week, she sits down with us to share the:
{top five most fascinating things about the jewelry-making process}
1. There are only 9 ways to set a stone. Eight of these were created during ancient Egypt! Egyptians were way ahead of their time...
2. Diamonds aren't actually that rare, and shouldn't be that expensive. The company De Beers owns basically 99% of the diamond mines and they only release a certain amount of stones each year to keep the prices high. We could all be covered with diamonds if it weren't for these people.
3. Rubies and Sapphires are kind of like non-identical twins. They're both Corundum. The red in the ruby is caused by the presence of more chromium. Most sapphires are heated up in order to have a more beautiful color. Oh, and when they tell you "This is a pink Sapphire", it's basically a marketing term. You think that a Sapphire is blue so you get the impression that you are looking at something rare. If you were looking at a pink Ruby, you would think "hey, that's not a very good Ruby since it's not red but pink." I know, it's sad, but it's the truth! It broke my heart when I found out, and I have a gemologist degree.
4. The only new way to set a stone was created by Van Cleef & Arpels, sometime around 1930 and is called "the mystery setting". The stone paving procedure uses no visible claw; basically, you don't see any metal in between the stones, it's invisible! I've been (unsuccessfully) trying to create a new kind of stone setting for the last 15 years. If anyone has any idea, call me!
5. You can see how good a jeweler is when you look at the back of the piece of jewelry. A true master will make the invisible as beautiful as the rest!
{p.s.} previous favourite fives:
* designer: rachel ashwell
* actress & fashion muse: chloë sevigny
* floral stylist: denise porcaro
* entrepreneurs: rent the runway
~ laily
{at the shops: andrea bonelli jewelry, san francisco}
. . . have been having a wonderful time dreaming up holiday gift ideas, and quite adore self-taught san francisco bay area-based metalsmith andrea bonelli's beautifully simple and classic handmade jewelry line -- filled with diamond stacking bands and glittering moissanite studs, the collection is also eco friendly, using recycled and ethically mined diamonds and gems and would be the perfect gifts, boxed and wrapped in gold paper and tied with velvet ribbon, or, if you can not bear to part with them, equally perfect with silk-taffeta one-shouldered dresses for upcoming holiday parties . . .
{images: andrea bonelli jewelry}