{favourite five: photographer debi treloar}

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“... for me it's all about the subject and the light”



The word “photography” comes from two individual words: “photo” meaning "light" and “graph” meaning "to write", literally translating to the wonderful definition, "to write with light", and there is no better way to describe photographer Debi Treloar than as a “light writer”.

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Treloar's photographs are images that appear to be written with the most beautiful light, capturing not only its illuminating element, but also the soft, lightweight quality it can bestow when in the right hands.

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Originally from Zimbabwe, Debi began her studies in art, developing a particular love and passion for photography. Living and working in London for the past 15 years, she has produced the photography for over 30 books on interiors and food that have been published around the world in many different languages. She has worked on a variety of well-known publications, including Elle Décor UK, Italy, Germany, France and Japan, and IDFX Magazine.


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Best known for her photography of food, gardens, interiors and lifestyles captured in a modern, and simple style, Debi has notably participated in the creation of a series of French cookery books by Joanne Harris and Fran Warde {one & two} and also shot the food photography for a series in the Sunday Times with Tom Conran.

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This week, eager to take advantage of the many photo opportunities the summer sunlight gives, we ask Debi her:

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{5 favourite tips for capturing a beautiful image:}

1. Go to the tropics! Everything always seems to look good there! It's not always an option, but try to have something beautiful in front of you or put it or them into the best setting you can find.

2.
Make sure the light hitting whatever you are photographing looks beautiful -- if it doesn’t, walk around it to see where it looks better from, or move it to a place with better light.

3. The angle you take the picture makes a huge difference -- for example, if you take a picture of a person from low it makes his or her chin and neck look bigger, but if you take the photograph from high, it will make his or her face look thinner.

4.
Try to expose the picture right; for example, if you use an iPhone and take a snap of someone, and they look too dark, by touching the screen where his or her face is, it will lighten it. If it is still too dark, choose the darkest part of the screen and the exposure will lighten -- I wish my work cameras were like that!

5.
Try new technology! Try some apps -- they really help to enhance pictures -- I personally like “camerabag”.

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p r e v i o u s
f a v o u r i t e f i v e s :

* painter: janet hill
* jewelry designer: suzie gallehugh

* artist: michelle armas
* jewelry designers: megan & moira flynn
* actress & writer: shiva rose
* jeweler: camille eddera
* artist: kimia kline
* actress & fashion muse: chloë sevigny
* floral stylist, part 1: denise porcaro
* floral stylist, part 2: denise porcaro
* fashion photographer & illustrator: garance doré
* interior designer & architect: nina freudenberger
* entrepreneurs: rent the runway
* designer: rachel ashwell
* interior designer: tricia foley
* photographer: romina shama
* food editor & author: donna hay

~ laily



{all photography by debi treloar from the book romantic style by selina lake & sara norrman}

{décor inspiration: palest pink & seashells}

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. . . crown moulding and crown canopies, topiaries and seashell chandeliers, palest pink & time-worn treasures in a french cottage that was most positively made for afternoon romance . . .

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{p.s.} a very special thank you to sarah at haute design for so thoughtfully sending along these lovely images

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m o r e s e a s h e l l s & s e a s h e l l c h a n d e l i e r s:
* saltwater breezes
* the lure of the ocean
* an oceanside cottage

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m o r e c r o w n c a n o p i e s :
* crisp linens & scalloped edges
* elegant florals
* the south of france
* moments of repose
* palest pink & leopard print
* only sweet dreams

{images: photography by thibault jeanson for victoria, july 2001 via haute design}

{a winter's day}

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. . . and after all the magnificent madness of snow & mistletoe, happily taking a few beautiful moments to linger in the luxurious lull before new year's, spending time, alone together, slowing down the days {just a little}, and dreaming up nights draped in candlelight . . .


{p.s.} in case you missed, wonderfully exciting news xo


{images: marie claire idées via somethingwhite; photography by paul barbera}

{holiday inspiration: day & night}

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. . . a flurry of things this past few weeks and can hardly believe that it is nearly & already only one week left until christmas, and in all this dashing about . . . by day, it's been white lacy dresses strewn with a million floating snowflakes, strands of elegant pearls and satin platform pumps, pink champagne truffles and the softest suede foldover clutches . . . and by night, it's all black satin and sequins and the intoxicating scent of deep florals and lotus wood . . .


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chanel 1990's vintage logo drop earrings |
kenneth jay lane 1980's vintage triple strand faux pearl necklace | charlotte olympia paloma satin platform pumps | guerlain 'kisskiss' liplift | charbonnel et walker pink marc de champagne truffles | mccoy design quartz jewelry box | elle macpherson intimates dentelle lace bra | h&m spring 2011 collection suede clutch


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. . . set of four hand-screened white doily note cards here


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rolex women's president 18k gold black diamond dial watch | liberty london for apple ianthe embossed leather iphone sleeve | house of harlow 1960 black resin station necklace | butter london nail lacquer in union jack black |
kelly wearstler brass kaleidoscopes | agent provocateur black lace bra | miu miu glitter pumps | black & white diamante corsage brooch | handbag by chanel | tom ford black orchid eau de parfum

{images: lace dress by fleur wood & doily note cards via eat drink chic; miu miu image via luphia loves; room, kravitz design via french architectural digest; h&m spring collection clutch via julia; night look/outfit by zara}

{stylist: glen proebstel, melbourne}

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. . . at turns bright and sun-lit, and at others, dark and blustery, as the days fade to winter, particularly drawn to the moody and atmospheric work of australian stylist glen proebstel, enveloped in the beautiful play of golden light and dusky shadow, a perfect reflection of these, the last autumn days . . .

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{previously featured stylists:}
sibella court | faye toogood | lotta agaton | petra ruud

{previously featured australians:}
* billy bride | katie quinn davies, one & two | mrs. press | natasha

{images: styling by glen proebstel, discovered via little things, also,
the design files & prop.d, some photography by sharyn cairns for inside out magazine}

{photographer: michael paul, london}

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. . . happened upon the portfolio of lifestyle photographer and london-based new zealander, michael paul, and fell in to a world of chevron floors and beds with silk canopies, champagne and pearls on gilt marble tables and the most beautifully atmospheric play of light and shadow . . .

{p.s.} you may have recognized some of these stunning rooms from the pages of vogue entertaining + travel, gourmet, martha stewart living, real simple, food and wine, vogue living, other favourites

{images: photography by michael paul discovered via the diversion project}

{interior designer: rees roberts}

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. . . crème caramel-coloured velvet perfectly paired with lucite, exotic wood and modern classics, sweeps of carerra and ultra-glamorous mirrors, and most of all, beautiful spaces that defer to the elements of views, art, and light . . .

{images: rees roberts + partners llc via the diversion project}

{in the bedroom: crisp linens & scalloped edges}

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. . . whether a wrought-iron italian campaign canopy or time-worn wood and draped in yards and yards of twilight gold linen, have always loved beds with canopies best, especially when strewn with crisp, late-summer white bedding and lacy, scalloped edges . . .

{image: trouvais}